Thursday, 27 January 2011

In Flagrante Colléctum: J. P. Tabiners Cathexis

This installation was shown for The MA Printmaking Show at the School Of Creative Arts 18-24 June 2010, UWE Bristol.

‘In flagrante’ is Latin for ‘caught in the act’, a legal term used when someone has been found in the act of committing an offence. ‘Cathexis’ is a word defined in psychodynamics as the process of investing huge amounts of mental and emotional energy in a person, object or idea. In psychoanalysis, Freud defines the term cathexis in sexual terms, meaning the ‘libido’s charge of energy’.

Collectors fill voids physically and metaphorically. The house today feels like a framed absence, filled with ghosts which inhabit the objects. Snippets of humour or evidence of madness transpire in the labelling and taxonomy, or was it truth: did he meet the queen’s servants; the NASA space team; Miss Muffet?
The house is packed to the roof with items. The space a collector occupies becomes a conceptual, enlarged, but displayed, sense of self. Fulfilment is never attained because the effect of acquisition constantly drains away on ownership.
Mr. J. P. Tabiner was a man who lived a solitary life after his wife’s death in 1958. He was born in 1916 and died in 1989 after having spent 31 years with only his collections and fictitious scenarios for company. There were very few that knew John well enough to say what he spent his days doing but notes were taken by social services after Joan Tabiner's suspicious death: 
'JPT keeps busy pottering around the house making models which he says are 'his salvation from a hostile world'. Concerns: Has taken to sleeping on the living room floor where he 'can look after the budgie'. Argumentative and uncompromising in nature however he appears to be compos mentis.' Anon.
After Mr. Tabiner's death, the house was boarded up and left untouched until now, prior to its demolition. Soon a clearance team will come and collect anything of value and remove anything else remaining for incineration.

Trans-Atlantic Print Exchange: Collaboration with the University of the Arts in Philadelphia, PA, USA



12 - 19 February 2010 
Private View: Thursday 18 February 2010, 17:00 - 19:30 

The Trans-Atlantic Print Exchange developed during the Impact 6 conference held at UWE in September 2009. Through discussion with academic staff at both the University of the West of England and the University of the Arts in Philadelphia, Pennsylvania, the print exchange was established as a means to open dialogue between the two universities’ Master of Printmaking and Books Arts degrees. There are eleven participating student artists from each university, that together form a collection of twenty-two prints.

The prints show the diversity of printmaking processes, as well as the diversity of the artists themselves. It can be observed that while each artist is unique in his or her practice and concepts, the overall approach to creating work is not isolated by country.

Contact for inquiries: melissa.k.olen@gmail.com
 
Helen Allsebrook (UWE)
Maria Bowers (UWE)

Tortie Rye (UWE)

Melissa Olen (UWE)

Yuka Petz (UArts)

Sean Dyroff (UArts)

Please see website for complete listing of artists and larger images.























Surplus the Requirements - Manchester Metropolitan University

This is a collage created from an unwanted book named, The Exercise Diet, 1985. This will be included in the book Surplus to Requirement and will be published by Righton Press in 2010.
Information on the soon to be published book by Righton Press: This is one page from a book which is a collaboration between groups of artists at Manchester Metropolitan University (Made Collective) and the University of the West of England, Bristol, working from research gathered around an overarching theme of 'Surplus to Requirements'.

The artists have produced a creative response to two diverse collections in their respective cities, surplus books from the closing Bookbarn in Bristol and the Herbarium at Manchester Museum.

"Books like these should be treasured representations of society and not demoted into the unwanted pile. This work aims to be an amusing yet important representation of the wrong and politically incorrect writing from only 25 years ago." Helen Allsebrook, August 2010 

MMU (Made Collective): Lucy May Schofield, Nick Fleming, Liz Machin, Tony Eve, Joan Beadle, Hilary Judd, Sylvia Waltering, Jacqueline Butler; UWE: Sarah Bodman, Paul Laidler, Guy Begbie, Andrew Eason, Tom Sowden, Helen Allsebrook, Teri Makassih, Angie Butler, Natalie McGrorty